Month: March 2014

Eugie Foster calls home a mildly haunted, fey-infested house in metro Atlanta that she shares with her husband, Matthew. After receiving her master’s degree in psychology, she retired from academia to pen flights of fancy. She also edits legislation for the Georgia General Assembly, which from time to time she suspects is another venture into flights of fancy.

Eugie received the 2009 Nebula Award for her novelette, “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast,” the 2011 and 2012 Drabblecast People’s Choice Award for Best Story, the 2012 eFestival of Words Best Independent Short Story Collection eBook Award, and the 2002 Phobos Award. Her fiction has also been translated into eight languages and been a finalist for the Hugo and British Science Fiction Association awards. Her short story collection, Returning My Sister’s Face and Other Far Eastern Tales of Whimsy and Malice, was published in 2009 and has been used as a textbook at the University of Wisconsin-Milwaukee and the University of California-Davis.

Visit her online at EugieFoster.com.

Suzanne Church: We first met at the Dragon Con 2000 writers’ workshop run by Ann C. Crispin, and our writing group that formed as a result of that workshop continues to this day. If 2014 Eugie could speak to 2000 Eugie, what advice would she offer?

Eugie Foster: “Don’t be afraid to lean on people more.” It’s my nature to want to go it alone and not ask for help, but I’ve learned — the hard way, oftentimes — that sometimes I just need to accept the offers of assistance folks are so generous about proffering up, that I’ll burn out if don’t share some of the load. Our writers group epitomizes how supportive the writing community is on both personal and professional levels. I wish I’d started relying on y’all more, sooner.

SC: When you were first diagnosed with cancer, you hesitated to post the news on your blog. Since then you’ve shared your journey pretty openly via Twitter and your blog. How does sharing the experience help you?

EF: This ties in pretty tightly with the first question. My first impulse was to keep my cancer diagnosis private and deal with the fear and uncertainty, all the ordeals I knew I’d have to go through in the fight to beat it on my own, and I’m so glad I didn’t. The outpouring of support, the shared experiences of other cancer survivors, the reassurance and compassion from friends, colleagues, and strangers — it’s been uplifting, inspiring, and moving beyond words. On my worst days, I re-read some of the comments and notes I’ve gotten, and I always feel better.

SC: Your novelette “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” won the 2009 Nebula and was nominated for the Hugo, the WSFA Small Press Award, and the BSFA Award. When you were writing the story, did you sense that it was evolving into an extraordinary tale?

EF: Honestly? Yes and no. I think every writer has stories or passages which they feel are extraordinary, something special that evokes a visceral response as the words hit the page. “Sinner, Baker, Fabulist, Priest” was like that, but I’ve had other stories which I felt were on par with it which didn’t get the sort of reader response that “Sinner” did, as well as stories which I thought were good, but without that evocative gut-kick it had, that were particularly well received. It’s so hard to gauge how our words will be embraced. I figure, the only thing we as writers can do is craft the best stories we can, send them out, and cross our fingers.

SC: If your characters were real people, which one would you choose to interview first on your blog. Why?

EF: Ooo, that’s a hard question. Some of my favorite characters are not ones I’d really feel comfortable (i.e., safe) being in the same room with, like Bunny from “The Bunny of Vengeance and the Bear of Death” and Trixie from “Trixie and the Pandas of Dread.” (I’m not sure what it says about me that two of my favorite characters off the top of my head are vengeance gods.) So I guess I’d go with Ayame from “Honor is a Game Mortals Play.” Being a young, half-demon demon hunter, she’d have a unique perspective, not to mention a lot of interesting stories to recount, and she’d be unlikely to whack my head off if I accidentally said something out of line.

SC: You maintain several Children’s Market databases on your website. What motivates you to so generously help others?

EF: Actually, it’s as much a resource for me. It’s as easy for me to keep a market listing online as it is a private spreadsheet, and the virtue of having it on my website is I can access it from any location. I’m just glad that folks find it useful.

SC: What are you working on now?

EF: I’m working on the perpetual novel project—it feels like I’ve always got a novel looming in the background — as well as several short stories for anthology projects I’ve been invited to submit to. Stay tuned on my website for more details as they crop up.

For the following flash questions, try to answer with the first idea that pops into your head.

SC: Imagine a prison of eternal misery. Is it hot or cold?

EF: Cold! Definitely cold. Winter and I don’t get along — which perhaps explains the recurring theme of winter/cold as antagonist in multiple stories I’ve written: “The Reign of the Wintergod,” “Beautiful Winter,” “The Snow Woman’s Daughter,” “Honor is a Game Mortals Play.”

SC: Sweet or savory?

EF: Savory! I’m so addicted to greasy, salty snacks.

SC: Stickers on your laptop or pure out-of-the-box plain?

EF: Um, um, out-of-the-box plain. But only because I’m sure I’d have sticker remorse after committing to whatever sticker(s) I selected and would then just keep adding more and more until I ended up with a chaotic collage plastered so thickly on my laptop I’d have trouble finding the on switch.

SC: You suddenly find yourself with one hour of free time between shifts as editor of The Daily Dragon at Dragon Con. Do you shop in the Dealers’ Room, head over to the Marriott for cosplay-gazing, or grab a quick nap?

EF: Yes! Wait, I mean shopping. No, people watching! Well, maybe a nap would be a good idea. Um. This might explain why I don’t leave Daily Dragon headquarters very often…

SC: Thanks to Eugie Foster for participating in this blog tour!

Growing up in Northern Ontario, Steve Vernon learned the storytelling tradition from his grandfather. Steve’s regional books include The Lunenburg Werewolf, Maritime Murder, Haunted Harbors, Wicked Woods, the children’s picture book Maritime Monsters, and the YA novel Sinking Deeper – or my questionable (possibly heroic) decision to invent a sea monster – a novel which begins with a jailbreak, seguing into an impromptu Main Street midnight caber toss leading to the invention of a sea monster, a gumbooted dragon dance, a couple of ghosts and an inadvertent assassination attempt on David Suzuki himself.

Yes, Steve Vernon loves his subtitles.

Suzanne Church: You refer to yourself as a storyteller. Did this moniker grow organically from writing primarily for young people – or is there more to your story?

Steve Vernon: Actually I am an oral tradition storyteller, telling stories from audiences ranging between 5 to 5000 spectators. I re-tell old legends and ghost stories and fables and pretty much anything worth re-telling. The funny thing is – up until about the age of thirty – I was as quiet as a duct-tape-gagged mouse. I grew up painfully shy. It took a year or so in Toastmasters to bring me out of that whole shy stage in my life and I have not shut up since.

My very first regional collection – Haunted Harbours: Ghost Stories from Old Nova Scotia (Nimbus Publishing 2006) originated from my storytelling background. I first met with the publisher at a Word On The Street Festival in 2004 when I took part in the very first Pitch the Publisher session in which – they tell me – that my pitched story collection was the ONLY book to make it through the pitching session and into publication that year.

SC: You’ve written SEVEN regional books with supernatural elements between 2006 and 2011. Are there any more regional books in the works?

SV: I’d LOVE to write something else for Nimbus Publishing. They’ve been great to work with and have approached me for another novel. Although I have embraced the indie publishing revolution I still enjoy writing for the traditional market – primarily because Nimbus can get my book into an awful lot of bookstores across the Maritimes and even across Canada itself.

SC: Since you’ve embraced the mysterious abyss that is the world of e-book publishing, tell us about your experience with publishing Uncle Bob’s Red Flannel Bible Camp, Flash Virus, and Sudden Death Overtime.

SV: Well – to tell you the truth I am still figuring out the whole digital publishing business. I make money at it every month but not enough for my liking. Don’t think of me as being greedy, you understand. It is just that writing – to me – has ALWAYS had a practical side. I don’t write JUST for the money – but it certainly is an important measure of an author’s success. Some may argue the point – but the way I see it, an artist ought to be able to justify his acts of creation. Besides, I’ve got bills to pay – LOTS of them.

Don’t think of me as a money grubber, though. The fact is, if I had wanted to get into something JUST for the money I probably would have got into dentistry or maybe even politics.

SC: If your characters were real people, which one would you choose to interview first on your blog? Why?

SV: I think I’d have to interview Sprague Deacon – one of the toughest old-time hockey players who ever skated upon a backyard rink of hand-poured ice. Sprague was born and raised and he expects to die someday on the shores of Northern Labrador. Sprague is one of my favorite characters because of his tough old-school no-nonsense style. He is a man who does not know how to back down from a fight – so when a tour bus full of vampires pulls into his town and begins lowering the population level one corpse at a time it is no surprise that Sprague and his buddies decide to go toe-to-toe with the bloodsuckers in a no-holds-barred game of hockey.

Sprague appears in my indie-published novella Sudden Death Overtime – a book that is just SCREAMING out to be made into a Canadian independent horror flick. I think he is one of my best efforts at capturing the unique timbre of the voice of the Atlantic Maritime storyteller.

SC: You and Colleen Anderson co-edited Tesseracts Seventeen – Speculating Canada Coast to Coast to Coast for EDGE Science Fiction and Fantasy Publishing – the publisher of my own collection Elements. What was the hardest lesson you learned during the editorial process?

SV: That I needed better glasses? Four hundred odd manuscripts – and some of them were VERY odd indeed – was hard on the eyes.

That was a very tricky anthology to put together because we set up rules for ourselves to get at least one writer and one story from each of the provinces and territories. We had an AWFUL lot of Ontario submissions – but the other provinces and territories yielded very mixed results. The population base of Canada has NEVER hit an even balance.

But aside from just the struggle with the demographic limitations that a cross-Canada selection presents, I found that the work involved was incredibly daunting. Editing is a LOT harder than writing is.

SC: Describe two aspects about living in the Maritimes that’ve influenced your prose.

SV: We’re a quiet province. Almost a dying province – in spite of all the propaganda that the tourism offices produce. Our young people are moving west and south. Aside from Halifax, the rest of Nova Scotia is dwindling in population. The market here is intensely limited.

Still, there are benefits to be found here in Nova Scotia. We are definitely a province of storytellers. No one can spin a yarn like a Maritimer. The glitz and the glitter of the 21st century still hasn’t caught up with this province I live in. It is almost as if we live one step behind the rest of the country – and I like it that way.

Besides that, there is something intensely powerful and compelling about living so close to the deep Atlantic. I have hitchhiked from one end of this country to the other and there is nothing that can compare – not even the Pacific Ocean – to the deep and almost elemental call of the Atlantic waves. They are both lodestone and heartbeat and I can feel the tidal pull echoing deep within my veins.

SC: What are you working on now?

SV: I am currently working on the second book in a brand new series that I call Uncle Bob’s Red Flannel Bible Camp. The series retells the stories of the Old Testament in a more comfortable, countrified style. I wrote it thinking about the way that my grandfather and uncles would tell me some of the legends and tales and bible stories in their own unique fashion – rather than just reciting from the Bible.

You see, to me, those old boys – Adam and Moses and Abraham and Cain – were most likely folks like you or me. They didn’t REALLY know that they were supposed to be biblical. They were just trying to get on with their day and do the very best they could – just the same as you or me.

SC: Are you working on anything in the fantasy/horror genre?

SV: As a matter of fact I am working on completing a new novel based on the ideas from my Sasquatch story “Three Thousand Miles of Cold Iron Tears” originally published in Tesseracts 16 – Parnassus Unbound, edited by my good buddy Mark Leslie Lefebvre. This novel entitled Big Hairy Deal should be completed within the next month or so and I look forward to launching it out into the world.

For the following flash questions, try to answer with the first idea that pops into your head.

SC: Imagine a prison of eternal misery. Is it hot or cold?

SV: It’s cold. Cold like the Canadian winter. Cold like the thousands of pounds of snow I have shoveled over my lifetime. As far as I’m concerned, paradise has got to have a beach and some serious sun-tanning weather involved.

SC: If you were only allowed to read ONE book more than once in your lifetime, what book would you choose?

SV: A big fat one.

SC: Scallops or lobster?

SV: Lobster is messier. I like pan-fried scallops – preferably wrapped in bacon.

SC: Stickers on your laptop or pure out-of-the-box plain?

SV: Laptop? I am old school. Laptops are way too dinky for my labor-enhanced meat hooks.

SC: Music while writing, or total silence? And if you chose music, name three inspirations.

SV: I usually like it quiet – but I have written to music before. I wrote one entire novella while listening to a collection of Godzilla soundtracks.

SC: Thanks to Steve Vernon for participating in this blog tour!